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Your didgeridoo can teach you a lot… if you learn to listen to it!

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Here is a question whose answer is far from being obvious! How many musicians take the time to listen to their instrument? We are all with our ideas, our will, our desire to say things. But have we ever thought about listening to what the didgeridoo has to say? In this article I share with you my thoughts on the subject. It is accompanied by an exercise that will allow you to live this beautiful experience.
Because nothing replaces practice!

Listening to your didgeridoo: what does it mean!

It may seem strange to specify that you have to listen to your didgeridoo! Indeed, once it sounds it is pretty obvious that we are listening to it.

But there is listening and there is listening.

Here, it is a question of listening to one’s instrument in consciousness. The goal is to let it breathe what it has to tell us. Forget what you want to do or the rhythms you want to play.

To listen to your didgeridoo is to let it take the first place. This is the big difference between imposing your rhythm or letting it come naturally. The second one is much more likely to be “alive”. It will have a natural ease and will come from a world more buried than the one you would have played without questioning.

Thus, letting your instrument speak and listening to it in an open position is a true path of humility.
It requires to consider that it is him, our didgeridoo, who knows what to play. And that we don’t have to do anything but follow him. This way of seeing things changes everything, so you have nothing to do but listen to him.

Isn’t that great?

The other advantage of this approach is that it requires no special technique. You’ve just started playing? Perfect, you’re still fresh as a daisy! You’ve been playing for 10 years? Perfect again, this is an exercise that will bring freshness to your game!

All you have to do is go with the flow.
So when do we start?

– – –

“It’s rowing against the current that keeps you in the same place. “

Jacques Chardonne

– – –

Okay, here we go! But in practical terms, how do you go about listening to your didgeridoo!?

Well, for the most daring, here is a very simple exercise to start this practice right now! It is so simple that almost everyone has missed it!

An exercise to listen to your didgeridoo

Take your didgeridoo and play a simple rhythm that you are used to playing. Any one as long as it’s fairly simple and you’re totally comfortable.
Get into a comfortable posture and try to relax physically and mentally. Settle into a state of mind of openness.
With that done, play your rhythm over and over with a tempo you are comfortable with. You don’t need to go too fast or too slow.
Keep it simple.

And now that you are playing, listen. Just listen.

Listen to every sound, every breath, every harmonic, every variation. Listen to them and let yourself be immersed.
Play over and over again.

An ever-changing rhythm

Music is alive. And like all living things, it evolves, it moves, it changes. But a flower grows slowly, and you have to be patient to watch it bloom.

For your rhythm, it is the same thing. You must have the same attention as if you were watching a flower bloom. The same patience.

Unless you are a machine, your rhythm will move very slightly. It is this movement that you will learn to detect. From this point on, your only objective is to refine your ear, your listening.

A rhythm is alive. Isn’t life just a series of rhythms?
If you don’t hear anything, try again. Persevere. Perseverance is the common thread of all great achievements.

– – –

“It is not strength, but perseverance, that makes great works.”

Samuel Johnson

– – –

Observe and test

Observation helped Buddha find enlightenment. So much for being a useful tool!
And it’s going to help you understand the relationship between sounds and muscles a little more. So, when you notice a sound in your rhythm try to see by whom it is produced: your cheeks? Your tongue? Your lips? Your throat?

Observe the muscle and its movement.

By this process, you will allow yourself to really understand what is happening inside your mouth when you play. The didgeridoo is an instrument

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5 responses to “Your didgeridoo can teach you a lot… if you learn to listen to it!”

  1. Gauthier you are a great patient teacher who obviously uses the methods you talk about such as listening not only when playing but also listening to your students/learners and what they’re doing.

    Regards Eric

    1. Gauthier Aubé Avatar
      Gauthier Aubé

      Thanks Eric! I will be so happy for you if you can have this circular breathing. So I will do all my possible to help you! 🙂

  2. Excellent! For me, as soon as the sound changed, I thought it was a flaw, so I always went back to the exercise I was working on.

    But then I’m wondering, how do you find the boundary between a sound that “evolves” naturally, and a sound that evolves because you don’t master the technique?

    I’m not sure if this is clear, but imagine you’re working on the “Te” tongue tip, and it transforms into “Te” palate, it’s easier, and more gratifying. If I hadn’t had the explanation (in your method), I probably wouldn’t have noticed, and would have gone for the easier option which could have created a flaw in the long run…
    I’m not sure if it’s really clearer, but I’ll leave you to figure it out!
    Thank you so much!

    Automatically translated from French · See the original

    Excellent ! Pour moi, dès que le son évoluait, je pensais que c’était un défaut, alors, je revenais toujours sur l’exercice que j’étais en train de travailler.

    Mais je me pose alors question, comment trouver la frontière entre le son qui “évolue” naturellement, et le son qui évolue parce que l’on ne maîtrise pas la technique ?

    Je ne sais pas si c’est clair, mais imagine que tu es en train de travailler les “Te” bout de langue, et que ça se transforme en “Te” palais, c’est + facile, et plus gratifiant. Si je n’avais pas eu l’explication (dans ta méthode), je ne m’en serais probablement pas rendu compte, et aurais opté pour la facilité qui aurais pu généré un défaut à long terme…
    Je ne sais pas si c’est vraiment plus clair, mais je te laisse te dépatouiller avec ça !
    Merci beaucoup !

    1. That’s a good question indeed, so good that you even gave the answer at the same time. 😉
      The fact that you’re aware your T sounds are made on the palate and not on the teeth is the key. The rest doesn’t really matter. The big trap with the didgeridoo is playing one technique while thinking you’re doing another. That’s when you’ll get stuck. Your sensations won’t match reality.
      But if you’re aware that you’re not quite playing the exercise correctly, then you’re all good.

      Back to the T, if you prefer doing them on the palate then go for it. And then one day you’ll hear a player making attacks on the teeth that are really punchy and dynamic. That’ll give you the urge to work on them. The time will come for that technique.

      Stay free to do what your body tells you. If you listen, you’ll always evolve. The body is constantly moving. And the risk of wanting to follow an exercise to the letter is that you can quickly become rigid. There’s nothing worse for cutting yourself off from your creativity.

      I hope I’ve answered you clearly!

      Automatically translated from French · See the original

      C’est une bonne question en effet, tellement bonne que tu as même donné la réponse en même temps. 😉
      Le fait que tu sois conscient que tes T se font sur le palais et pas sur les dents est la clé. Le reste on s’en fiche pas mal. Le gros piège au didgeridoo c’est de jouer une technique en pensant en faire une autre. Là oui, tu vas être bloqué. Tes sensations ne colleront pas à la réalité.
      Mais si tu es conscient que tu ne joues pas tout à fait l’exercice alors c’est tout bon.

      Pour revenir au T, si tu aimes mieux les faire sur le palais alors vas-y fonce. Et puis un jour tu entendras un joueur faire des attaques sur les dents bien percutantes et dynamiques. Ca te donnera l’envie de les bosser. Le temps sera venu pour cette technique.

      Reste libre de faire ce que ton corps t’indique. Si tu es à l’écoute tu évoluera toujours. Le corps est sans cesse en mouvement. Et le risque de vouloir suivre un exercice à la lettre est que l’on peut vite se solidifier. Il n’y a pas pire pour se couper de sa créativité.

      J’espère t’avoir répondu clairement !

  3. Yes, I really enjoy these reflections that offer us a fresh perspective on the didgeridoo. It allows us to seek out new approaches, even if we’ve been playing this instrument for a long time.
    Thank you for this very useful research, Gauthier…
    JPS

    Automatically translated from French · See the original

    Oui j’aime beaucoup ces réflexions qui nous proposent un nouveau regard vers le didgeridoo. Cela permet de chercher la nouveauté, même si on joue depuis longtemps de cet instrument.
    Merci pour ces recherches fort utiles Gauthier…
    JPS

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